Vedic Metaphysics

Gyān and Vigyān

Oct 01, 2003
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Thus there are three hands in this lithograph – Brahman the undepicted hand of the artist ; LH and RH both simultaneously appearing as Ātman, the soul, the participator and “I”, the individual consciousness, the observer.

◊       Let us quickly look at the ‘etymology’ of aham [17] …..it is given in explicit detail in the Aitareya Āranyaka[18] in the 2nd part, 3rd adhyāy, 6th to the 8th verse. The ‘Hymn of Creation’ comes next, which is the Aitareya Upanisad itself, from the 4th to the 6th adhyāy of the Āranyaka.…

……Akarao vaO savaa-   vaa@saOYaa spSa-: }Yma\ AiBavya-jyamaanaa bavhI naanaa $pa Bavait. tsyaO yadupaMSau sa p`aNaao|qa   yad\ ]ccaO: tt\ SarIrM¸ tsmaat\ tt\ itr   [va itr [va (SarIrmaSarIrao   ih p`aNaao|qa   yad\ ]ccaO: tt\ SarIrM¸ tsmaat\ td\ Aaivar Aaivaih-   SarIrma\.2º3º6.

……. ‘a’ is the whole of speech and being manifested through the mutes and the sibilants it becomes manifold and various. If uttered in a whisper it is this prāna, if forcefully, that body – śarīra. Therefore it is hidden, as hidden as the previous body encapsulated in this prāna . But spoken forcefully it is that body and visible, for body is visible.

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